Archive for October, 2010

The Long And Short Of It

Wednesday, October 27th, 2010
The forecast calls for a warm outer layer.  From short and swingy, to long and lean, this new breed of coats handknit in a profusion of styles and shapes are taking aim at mass produced coats lacking comfortable movement with linings that shift and armholes that tug. 
Take a look at this season’s Top Ten Coats  and get ready to usher in the full force of winter.

Spot Coat By Debbie Bliss

Debbie Bliss works a little magic with this woven stitch technique adding an extra layer of warmth without giving up sophisticated style.  Fez and Luxury Tweed Aran  partner together in A Tweed Story by Debbie Bliss, to create a knitted version of stained glass.   

Lvov by Elsbeth Lavold

Long lines and honeycomb stitch detail on the collar and cuffs render this coat a shapely classic for years to follow.  Knit in whitewater, one of the eleven eye-catching shades of Baby Llama from Elsbeth Lavold.  Pattern for Lvov is available in Cityscapes Book #21 

Noro Hooded Coat

Volume and texture join forces to keep the cold at bay in this cosy hooded coat from Noro’s Fall/Winter Collection.  Knit in Kogarashi, a silk and wool aran weight mixture out on store shelves now in eight expressive colourways. 

Alluring Diamond Coat by Nicky Epstein

From Nicky Epstein’s Enchanting Collection- understated appeal in a shorter length coat, fully patterned in latticework.  Knit in Guanaco from Aslan Trends, a chunky blend of alpaca and wool in twenty-three shades including this tempting shade of pomegranate.

Azteca Coat by Katia

Take cover in  Azteca from Katia, a 50/50 split of wool and acrylic with three new self-striping colourways for the season.  Bobbled cuffs and collar add a little extra seasoning to this cold weather coat without making it a challenge to knit. 

Ushya by Mirasol

New from Mirasol- Ushya soaks up the cold in a super bulky merino wool.  Choose between a hip length version in orange blossom or go the extra distance and sweep the floor in charcoal.  Check out these two styles and more in Book 19 Ushya by Mirasol.   

Moss Stitch Coat by Debbie Bliss

A tweedy yarn with gradual shading- Glen is a blend of merino, alpaca and acrylic with a dozen colour options.  Part of the Debbie Bliss Fall/Winter Collection, the design of this coat is relaxed with a nubby moss stitch texture adding an extra thick layer of warmth.     

Galway Chunky Coat

Short and sweet with a Peter Pan collar in Galway Chunky, from Diamond Luxury Collection.  Choose cherry red or one of the other thirteen classic shades to knit in an A-Line Chunky Coat with attractive bell sleeves.  Its simple enough for a beginner and quick enough to finish before winter.

Red Illusion Coat by Katia

Swing the shivers away in a racy red coat with attitude from Katia’s Elegance Collection.  Knit in Illusion, a yarn with the incredible lightness of superkid mohair and balanced with the suppleness of merino, in a choice of eighteen shades.  This one may just reign supreme as a ‘wear forever’ style. 

Luana by Austermann

Passionate about purple??  Wrap yourself up in Austermann’s Luana, a new polar weight yarn made for maximum insulation.  If you feel a need to knit outside the box, this clever design is just for you, in an intriguing mix of angles and circular construction.

Every Sweater Tells A Story

Wednesday, October 20th, 2010

More than just a layer of warmth, Aran sweaters tell a story rich in heritage and tradition, detailed in every stitch.  These centuries old designs from the Aran Islands off the coast of Ireland were originally knit with natural oiled wool (bainin) making the garment water-resistant and well-suited to the harsh climate and outdoor work of a fisherman or farmer. 

An Aran knit sweater averaged two months in the making and consisted of intricate patternwork with twisted cables and vertical panels of textured stitches.  Patterns were taught hand-to-hand, passed from one generation to the next, far too complex to be written down.  According to legend, each Aran sweater was designed and knit to signify a particular clan, a customary way to identify fishermen drowned at sea.

The cable stitch represented a fisherman’s rope and hope for abundance in fishing

The diamond pattern represented the island farms and a wish for prosperity

The zig zag pattern represented the jagged cliffs of the island

The trellis pattern represented the stone walls between farmlands

The blackberry stitch represented The Holy Trinity, an important spiritual symbol

The honeycomb stitch symbolized hard work

1960's Sirdar Aran Pattern Booklet

A peek inside the Sirdar vault, and its the early sixties.  The fisherman style sweater drifted into mainstream fashion, gaining popularity with knitters first in Britain, and picking up momentum as it crossed the ocean to North America.  Pullovers, vests, and cardigans were knit with traditional bainin (oiled) wool.  The fit was slim and tapered with raglan sleeves.

1970's His and Hers Styles from Sirdar

Aran pullovers knit in a conventional cream shade carried through into the next decade.  The look was more relaxed, with polo necks and v-necks added for extra interest.  Machine washable wool/acrylic blends were introduced by Sirdar as a lightweight option for indoor wear.

Sirdar Book #384

Skip forward to 2010.  Aran knits are back in the spotlight, bringing an element of folklore to a whole new generation of fashionistas.  This collection of Favorite Aran Knits 3 from Sirdar proves that true classics stand the test of time.

Favorite Aran Knits by Sirdar

His design features plenty of detail with honeycomb panels, a symbol of a hard-worker.  Her style highlights a combination of two cable techniques, and the current trend towards three-quarter sleeves in jackets.  Both are knit in Hayfield Bonus Aran, an easy to wear blend of wool and acrylic, available in twenty-six shades of marls and solids.  Sirdar features these two styles and a full selection of Aran knits for the entire family in Book #384.

Cable Jacket Book #384

A shade of crimson red in Hayfield Bonus Aran adds a fresh spark to a classic design.  The longer length jacket fits right in this season, layering over tunics and leggings.

Fairy Fibres

Wednesday, October 13th, 2010

Silken strands swirled in a haze of fluff so incredibly light that only fairies could spin it.  Introducing Angel, the latest addition to the Debbie Bliss Fall/Winter 2010 Collection.  This luxurious lace weight yarn is a blend of superfine kid mohair and silk, highly coveted by knitters for its featherweight quality and sheer layer of warmth. 

Winging its way into yarn shops later this month, Angel will makes its debut in a range of eighteen translucent shades with nine designs to choose from.  Here are a few to tickle your fancy-

Raspberry Cardigan

Capture the incredible lightness of air in a pretty shawl collared cardigan.  Knit in Old Rose, a flattering shade to cheer up the dull days of winter.

Cropped Shrug

Sleeveless dresses will gain a little extra mileage this season with a cropped shrug fitting closely around the neck and shoulders.  Knit in a watery shade of Celadon.

Coral Cardi

The temperature is rising quickly with this spicy little cardigan, knit in a complimentary duet of colour- Salmon and Tangerine.  

Fingerless Gloves in Angel

Whip up a pair of these fingerless gloves for a special someone who appreciates the softer side of life.  Its a touch of luxury that takes just one ball of Angel in Silver Grey.

Angel Shrug

Cocoon yourself in a dreamy oversized shrug this winter.  Knit in a misty shade of Soft Lilac.  

Front View of Angel Shrug

Its the simple one piece construction with a wide ribbed border that makes this shrug an easy one size fits all.  Turn the thermostat down a notch or two and chase the drafts away.

Speaking of Snoods

Wednesday, October 6th, 2010

The ‘snood’ is back again, and its hanging on to its peculiar nickname echoing back to the pages of a Dr. Seuss storybook.  Emerging last year as the ‘must have’ fall fashion accessory, Missoni and Burberry were the first on the scene to introduce versions of the loopy scarf in their collections.  

Making its debut in the 1940′s, the snood was originally worn as a loose-fitting hair net to keep long locks neatly in place.  In the 50′s, it was transformed into a tube shaped neck scarf, worn by skiers as a barrier against the cold and changing to a hood with just a quick pull.

Today the snood is worn long and loose, a stylish and more contemporary version of the scarf.  As a simple and inexpensive way to refresh a tired outfit or to keep the chilly north winds at bay, its a true multi-tasker, switching effortlessly from a cosy wrap across the shoulders, to a comfortable neckwarmer, and on to a head cover.    

Honeycomb Snood

Whitney models the Honeycomb Snood, in Liwen, a new addition to the Araucania line of hand-dyed natural fibres.  This luxurious twist of superfine alpaca and wool is knit up in a colourway inspired by the seasonal displays of flowering kale.

Happy Thanksgiving!

Autumn Kale

Honeycomb Snood in Liwen Col #4

 HONEYCOMB SNOOD

Finished Size:  17 in/43 cm x 40 in/101.5 cm

Yarn:  3 skeins ARAUCANIA Liwen Col #4

Needles:  6.50 mm – 32 in/80 cm circular

Tension:  12 sts and 18 rows = 4 in/10 cm 

Cast on 124 sts.  Join in round.  Work in K2/P2 ribbing for 5 rnds.  Cont in Pattern St as follows, inc 4 sts evenly spaced across 1st rnd = 128 sts.

Rnd 1, 2- P

Rnd 3, 4, 5, 6- *SL2 sts Knitways with yarn in back, K6*, rep *to*

Rnd 7- K across all sts

Rnd 8, 9- P

Rnd 10, 11, 12, 13- K4, *SL2 sts Knitways with yarn in back, K6*, rep *to*, end with, SL2 sts Knitways with yarn in back, K2

Rnd 14- K across all sts

Rep these 14 rnds for Pattern until work measures 16 in/41 cm slightly stretched ending with Rnd 1 and 2, or Rnd 8 and 9.  Continue in K2/P2 ribbing for 5 rnds, dec 4 sts evenly spaced across 1st rnd = 124 sts.  Cast off all sts in ribbing. 

Block overnight with a damp towel.

Design by:  Michele Meadows