Malabrigo March

The name Malabrigo rolls off the tongue as soft and eloquently as it slides across the knitting needles.  Kettle dyed and spun from the finest quality merino wool, Malabrigo yarn is produced in a rural region of  Uruguay by a family-owned company with assistance from a local women’s co op.  Its difficult to pinpoint the single attribute of this yarn that makes knitters swoon at the slightest mention of it.  Is it the vibrancy of the colours, the subtle transition from one shade into the next, or is it the incredible buttery softness that makes you want to sink your fingers into each skein?  Fifty-six hundred (and growing daily) members of the Ravelry Malabrigo Group describe it with just one word- squishy.  It is the ‘total package’, a yarn that has to be touched to be believed. 

This month is fondly named MalMar by members of the Ravelry group, or Malabrigo March to the rest of us.  Its a time to enjoy all things Malabrigo with projects to share, knitalongs to join, and contests to take part in. Thirty-one days of devotion to a yarn and all the impressive qualities that it possesses.  To join in the fun of MalMar, here is a new project and some of the most coveted shades of Malabrigo Silky Merino to choose from-

Amorosa Silky Merino

Atardecer Silky Merino

Archangel Silky Merino

Indiecita Silky Merino

Ravelry Red Silky Merino

As we transition from one season into the next, welcome Spring in style with a lightweight beret knit in Silky Merino

Silky Merino Beret in Amorosa

Silky Merino Beret in Indiecita

SILKY MERINO BERET

Size:  Womens Medium (12 in/31 cm diameter)

Needles:  3.25 mm and 4.00 mm

Yarn:  2 skeins Malabrigo Silky Merino

Tension:  22 sts and 28 rows = 4 in/ 10 cm in st st on larger needles

Cast on 102 sts with smaller needles.  Work in K2/P2 ribbing for 12 rows.  Inc 35 sts evenly spaced across last row of ribbing = 137 sts.  Change to larger needles and cont in Pattern as follows-

Row 1- K1, *K1, YO, K2, SL1, K2tog, PSSO, K2, YO, K1*, rep *to*, end, K1

Row 2- P

Row 3- K1, *K2, YO, K1, SL1, K2tog, PSSO, K1, YO, K2*, rep *to*, end, K1

Row 4- P

Row 5- K1, *K3, YO, SL1, K2tog, PSSO, YO, K3*, rep *to*, end, K1

Row 6- P

Rep these 6 rows 5 times in total.

Shape Top: 

Next Row- K1, *K7, K2tog*, rep *to*, end, K1.  Work in st st for 3 rows.

Next Row- K1, *K6, K2tog*, rep *to*, end, K1.  Work in st st for 3 rows.

Next Row- K1, *K5, K2tog*, rep *to*, end, K1.  Work in st st for 3 rows.

Next Row- K1, *K4, K2tog*, rep *to*, end, K1.  Work in st st for 3 rows.

Next Row- K1, *K3, K2tog*, rep *to*, end, K1.  Work in st st for 3 rows.

Next Row- K1, *K2, K2tog*, rep *to*, end, K1.  P 1 row.

Next Row- K1, *K1, K2tog*, rep *to*, end, K1.  P 1 row.

Next Row- K1, *K2tog*, rep *to*, end, K1 = 17 sts.  P 1 row.

Next Row- K1, *K2tog*, rep *to* = 8 sts.  Cut yarn and thread through rem sts.  Tighten and secure.  Sew side seam.  Block overnight with a damp towel. 

Knitters Tip:  To blend colours evenly when knitting with kettle dyed yarns – work with two skeins, alternating every two or four rows, carrying yarn up side of work when not in use.

Design by:  Michele Meadows

 

Designer Chat With Louisa Harding

Well-known for elegance in knitwear, Louisa Harding is a designer with an exquisite eye for detail.  With a background in Fashion and a remarkable career that spans more than twenty years across two continents working with some of the top yarn companies, Louisa now concentrates her energy on her own line of  luxury yarns and stunning collections twice a year.  Today she stops in to chat with us, to share a few of her thoughts on the creative process, where she finds inspiration, and preview some of her latest designs for Spring.
 

Louisa Harding

 
MM:  Hi Louisa, thanks for taking a break from your workday to stop in and chat.  Lets sit down with a cup of tea or coffee, whichever you prefer?

LH:  I start my day with a large cup of super strong Italian Espresso coffee, then spend the rest of the day sipping peppermint tea.  Very zingy ‘get up and go’ on one hand, very creative and artsy on the other….  

Hunang knit in Aimee

MM:  In the world of  design, your name is synonymous with luxury yarns and feminine knitwear.  Where did it all begin?

LH:  Ever since I was little, I have always made clothing and had a strong interest in fashion.  Growing up in the centre of London, I had access to all the wonderful museums, and spent my school holidays doing costume and fashion workshops.  I studied Art and Dress at school, learning to cut and grade patterns then went on to take a degree at Brighton University in Textiles and Fashion.  This was in the mid 80’s when all the ‘ready to wear’ designers were showing handknits on the catwalk.  As a result, we had projects sponsored by yarn manufacturers.  I became very interested in hand knitting, loved the discipline.  Unlike any other garment construction,  this is the only one where you can control the shape of a garment by the stitches you choose.  During my third year at University, I spent a three month placement at Rowan Yarns, and had two of my earliest designs published in Rowan Magazine 6.  After completing my degree, I spent three months working for an American designer in Montreal and then returned to England, and worked with Rowan Yarns for eleven years.  I just seemed to be in the right place at the right time. 

MM:  Wow!  What a whirlwind.  Any idea where you might be today, if you had not chosen this path into the world of knitwear design?

LH:  Now, that is a very interesting question, and one that I have just begun to contemplate myself.  My career has been sort of a whirlwind, not much space in between each stage to take a breather, so I have never taken any other avenues.  However, there are a couple of paths that sometimes I dream of taking.  I would have loved to be a travel writer, as I do love to travel, but am not very good at written prose.  I would also love to have a shop, a little boutique selling lots of lovely things.  Ideally, it wouldn’t have to be commercial, more an extension of my wardrobe and home, full of exquisite garments, accessories and furnishings, all beautifully designed or vintage pieces each with a hidden story.  Despite the dreaming, I am always drawn back to knitwear design, an idea starts to take shape and my fingers begin to ‘itch’, and the needles and yarn come together.  I think the path chose me.

MM:  Are you a ‘doodler’ or a ’swatcher’ first, when you begin a new knitwear design?

LH:  Both- sometimes its the yarn, sometimes its the stitch, so then I swatch, sometimes its the garment shape, so then I draw.  I start designing my collections by taking ideas from an inspiration source.  It is integral to my creative process, to have a starting point to which the collection refers, whether it be a visit to Venice or a classic children’s story such as Alice In Wonderland  

Cuckoo knit in Mulberry Silk

MM:  Canadian knitters are naturally drawn towards the British influence in knitwear.  Is there one thing you feel sets Canadian knitters apart from British knitters?

LH:  I think probably all knitters are similar, if you were to sit a group of knitters together in a room, gathered from all around the globe, their similarities would far outweigh their differences.  Knitters are creative souls who understand the gift of time, how important and amazing it feels to create something from a ball of yarn with two needles.  To have it appreciated, and appreciate the creative talents and skills of others is priceless.  It is a similarity that is for the most part unspoken.   

Citrine knit in Jasmine

MM:  In your latest Spring Collection, the knitwear styles embody a genuine lightness and free spirit, in a shade range of deep, stunning jewel tones.  Where did the inspiration come from for this current collection?

LH:  My newest collection is inspired by the East, entitled, Chinoiserie.  Having a design theme ties all the creative elements together from the sourcing of the yarns, selecting of the colours, the stitches used in the patterns, the shape of the garments, to the look and feel of the photography and printed publications.  I am incredibly lucky to be able to oversee all these elements, ensuring that my vision is as true to my original inspiration as possible.  While researching ideas for the collection, I looked at Chinese proverbs, my favorite- “Patience and the Mulberry leaf can become a silk purse”.  I think this is so apt to the art of hand knitting.

MM:  Now can you give us a hint of what is to come for next season?

LH:  I am just beginning to work on the Autumn Winter 2010/11 Collection and my main intention is to have fun.  At the moment, I am really inspired by the idea of the artist- creative mind and spirit.  I have two new yarns that I am so excited to be working with.  I am always drawn to the lace patterns which I am sure I will continue to experiment with, yet challenge a bit more the proportions and traditional garment construction.

MM:  What is inspiring you today as you gaze outside your window?

LH:  Well……we have snow again.  We have had snow almost continually on the ground now for over two months, which is highly unusual for UK.  As I gaze outside my window, there is a blanket of white, gleaming and pure, reflecting light and lifting the dark winter mood.  I can’t see them yet, but I know just under the snowy surface, the snowdrops are waiting to burst into bloom, so today I am inspired by the idea of new life, light and…… Spring.

(images courtesy of Louisa Harding)

Hats Off To Canada!

The medals are shining bright for Canada!  Our athletes have now graced the podium more than eight times as we swoosh past the halfway mark at the Winter Olympics.  A colourful wave of red and white knitwear is blanketing our country from coast to coast with souvenir scarves, toques, and mittens flying out of stores faster than delivery trucks can bring them in.  Even Oprah caught the ‘red mitten fever’ as she opened her Friday Live show wearing a pair, sharing her enthusiasm by handing out Olympic mittens to each audience member.  Knitters who choose quality over quantity are creating their own original versions to celebrate the spirit of the 2010 Olympics.  

The excitement of the Winter Games is still here for another week, plenty of time to knit more Olympic Gear.  Last week, knitters who finished a pair of Maple Leaf Mittens had wonderful comments to pass on- one mom who knit three pairs of mittens in less than four days remarked, “my teenage son asked me to knit these mittens, and wears his proudly in front of the tv, its his way of cheering on Team Canada in the hockey games.”  Its not the gleam of medals on the front page of the morning paper that will stay in our memory, its the incredible smiles of our athletes, the bright light that radiates as they grin from ear to ear, arms raised to the sky, sharing their moment of victory with us.

Share the warmth, share the spirit……..

Maple Leaf Earflap Hat

MAPLE LEAF EARFLAP HAT

Size:  Adult Medium

Needles:  4.50 mm                      Crochet Hook:  4.00 mm

Yarn:  100g Galway #44-MC, and 100g Galway #1-CC

Tension:  20 sts and 24 rows = 4 in/10 cm in st st

Earflaps:  Cast on 5 sts in MC.  P 1 row.  Cont in st st, starting with a K row, inc 1 st at each end of first and every following alternate row until 19 sts.  Work a further 11 rows in st st.  Cut yarn and leave sts on a spare needle.  Make a 2nd Earflap to match, do not cut yarn, cast on 10 sts, turn, K across these 10 sts, K across 19 sts from Earflap, cast on 32 sts, K across 19 sts from 1st Earflap, cast on 10 sts =90 sts.  Work 5 rows in st st , starting with a P row.                                                                                                                                                                                                                  

Next Row-K 45 sts in MC, PM (place marker on needle), work 17 sts from CHART with colours as shown in photo and using bobbins for each colour change, PM, K to end.  Cont to work in st st as set until CHART has been completed.  Cut CC, and cont in MC.  When Hat measures 5″ from top of Earflap ending with a P row-

Shape Top: 

Next Row- K1, *K9, K2tog*, rep *to*, end, K1

Next and all Alternate Rows- P

Next Row- K1, *K8, K2tog*, rep *to*, end, K1

Cont to dec in this way having 1 st less between decs on every K row until 10 sts remain.  P 1 row.

Next Row-*K2tog*, rep *to* = 5 sts.  Cut yarn and thread through rem sts.  Tighten and secure.  Sew side seam.  Make  a 3 in/ 8 cm pom pom with MC and CC held together.  Attach to top of hat. 

Edging:  With 4.00 mm crochet hook, work 1 row of single crochet around edge, alternating MC and CC for each stitch.   

 

Design by:  Michele Meadows

Knit Your Colours

In just a few more days, the excitement unfolds as the Opening Ceremonies of the Vancouver Olympics gets underway.  Our attention will be focused on the majestic beauty of Cypress Mountain, with breath held in anticipation- will a wintry veil of snow arrive in the nick of time?  The thrilling triumphs and agonizing defeats will take us to the edge of our seats as we watch the events displayed in high definition.  Its a great time to wear our red and white colours proudly, to support the Canadian athletes who have trained for many years to get to this pivotal point in their career.  Knit a pair of Maple Leaf Mittens in Galway, a classic pure wool available in sixty-eight colours, from the Diamond Luxury Collection, and show your spirit, be a part of the Olympics 2010 celebration. 

CHART

All you knit is love..

Maple Leaf Mittens

MAPLE LEAF MITTENS

Size:  Women (Men)

Needles:  4.00 mm

Tension:  20 sts and 26 rows = 4 in/10 cm in st st

Yarn:  100 g Galway #44- MC and 100g Galway #1- CC

 Right Mitten:  Cast on 40 (44) sts in MC.  Work in K1/P1 ribbing as follows-3 rows in MC, *2 rows in CC, 4 rows in MC*.  Rep *to* twice more.  Cont in st st with MC only, work 6 rows. 

Next Row-K2 (3) sts, place marker on needle, using a seperate bobbin of yarn for each colour change, and working colours on CHART as shown in picture, work 17 sts from CHART, place marker on needle, K to end of row.  Cont to work from CHART between markers as set for another 1 (3) rows ending with a P row.

Gussett:

Next Row-Pattern across 21 (23) sts, Inc 1 st in each of next 2 sts, K to end

Next Row- Work in Pattern

Next Row-Pattern across 21 (23) sts, Inc 1 st in next st, K2, Inc 1 st in next st, K to end

Next Row- Work in Pattern

Next Row-Pattern across 21 (23) sts, Inc 1 st in next st, K4, Inc 1 st in next st, K to end

Next Row- Work in Pattern

Cont in this way with 2 sts more between Incs for Gusseton every K row until 52 (56) sts on needle.

Thumb:  Pattern across 35 (37) sts, turn, cast on 1 st, P 14 (14) sts, including cast on st.  Turn, cast on 1 st.  Work in st st on these 15 (15) sts for 2.5 (2.75)”, ending with a P row. 

Next Row-K1, *K2tog*, rep *to* across row, cut yarn and thread through rem sts, tighten and secure.  Sew thumb seam.  Rejoin yarn to right hand needle, with right side facing, pick up and K 2 sts at base of thumb = 40 (44) sts.  Cont in Pattern until work measures 6 (6.5)” from top of ribbing, ending with a P row.

Shape Top:  K1, SL1, K1, PSSO, K 14 (16), K2tog, K2, SL1, K1, PSSO, K 14 (16), K2tog, K1

Next Row- P

Next Row- K1, SL1, K1, PSSO, K12 (14), K2tog, K2, SL1, K1, PSSO, K12 (14), K2tog, K1

Next Row- P

Cont to dec in this way on every K row, with 2 sts less between decs until 16 sts remain.  Cut yarn and graft rem sts together.  Sew side seam.

Left Mitten: Work as Right Mitten for ribbing.  Cont in st st with MC for 6 rows. 

Next Row-K21 (24) sts, place marker on needle, work 17 sts from CHART, place marker on needle, K to end of row.  Cont to work from CHART between markers as set for another 1 (3) rows. 

Gussett: 

Next Row-K 16 (18) sts, Inc 1 st in each of next 2 sts, Pattern to end of row

Next Row- Work in Pattern

Next Row-K 16 (18) sts, Inc 1 st in next st, K2, Inc 1 st in next st, Pattern to end of row

Next Row- Work in Pattern

Cont in this way, with 2 more sts between Incs for Gusseton every K row until 52 (56) sts on needle. 

Thumb:  K 30 (32) sts, turn, cast on 1 st, P 14 (14) sts, turn, cast on 1 st.  Work in st st on these 15 sts for 2.5 (2.75)”, ending with a P row.  Continue in Pattern as on Right Mitten.

Design by:  Michele Meadows

The History Of Sirdar

Sirdar is a company with humble beginnings, deep family roots and a long standing commitment to quality and reliability.  Knitters are familiar with the trusted label- SIRDAR knitting made fashionable, but few of us know the entire story that has spanned one hundred and thirty years, the heritage that stands behind some of our favorite yarns and pattern leaflets. 

The original spinning mill was founded in 1880, in the tiny town of Ossett, England, by two brothers, Tom and Henry Harrap.  With a small handful of employees and a strong drive for success, the two brothers aimed high, producing good quality wool products and building a solid reputation.  A decade later, the company moved to its present location in Alverthorpe, a manufacturing district just outside of Wakefield.  It was Tom’s son, Fred who brought about the name change when he took over the helm in the 1930’s.  The new company name- Sirdar, was chosen in respect to Lord Kitchener and his appointment as Sirdar (Leader) of the Egyptian Army.  With his keen foresight, it was also Fred who re-directed the company to keep up with the changing times in England.  In the 1930’s Sirdar introduced handknitting yarns and pattern leaflets to the public.  By 1960, Fred’s daughter had joined the company and began to introduce patterns to the rest of the country through a new and popular format, women’s magazines.  The Sirdar label was now well on its way to gaining international recognition.  Lets take a glimpse into the archives, and follow the remarkable journey of Sirdar, a company well-trusted by knitters far and wide, as it has evolved from one decade into the next over the past one hundred and thirty years.   

Sirdar Vest 1930's

The pullover sweater made its debut in England during the 1930’s.  This was an era of thrift and recycling.  Sweaters were unravelled instead of being discarded, and the yarn was re-knit again and again.  Wool was harsh and scratchy, in a very fine fingering weight.  Cardigans, sweaters sets, and skirts were all popular knitted styles, and most clothing was knit by hand, not store-bought.

Sirdar Man's Vest 1940's

The 40’s brought about wartime knitting, colours were dark and sombre, women knit with what little wool was available.  The styles were refined and sensible, still in a fine fingering weight.  Socks were knitted for soldiers.  Handknit gloves and scarves became popular for women. 

Sirdar Vest 1950's

Sirdar knitting leaflets were now printed in full colour.  Double knitting weight yarns started to make an appearance.  During the 50’s, clothing items were knit for comfort and warmth.  The styles continued to be form fitting for both men and women.     

Sirdar Baby Set 1960's

 Acrylic yarns became increasingly popular in the 60’s.  A well-dressed baby was often seen in handknit leggings, coats, bonnets, and booties.  Children were taught how to knit in school during this time.  Ski sweaters with fairisle yokes became fashionable in England, and twin sets were in demand for women of fashion.

Sirdar 1970's

 In the 70’s, the styles loosened up, ponchos, capes, skirts, and wide leg pants were featured in knitting patterns.  Crochet became a huge trend in clothing and home decor.  Sirdar Snuggly and Wash n Wear  yarns emerged as strong sellers and have remained all-time favorites.  

Sirdar 1980's

 The 80’s introduced the first novelty yarns, and luxurious mohair sweaters became popular.  Handknitting was more about texture, sweaters became softer and fuller.  Dolman sleeves were the ‘in’ thing.

Sirdar 1990's

 The 90’s continued with a penchant for luxury knits.  Sweaters, cardigans and vests were now knit with ribbons and mohairs.  Picture knits became popular with children.  Favorite cartoon characters and animals soon appeared on the front of pullovers. 

Sirdar Flirt 2010

Over the last ten years, we have watched knitting rise to great heights in the media and fashion spotlight.  The introduction of novelty yarns like Funky Fur and Foxy caused an exciting phenomenon as new knitters emerged from the wings.  Self-striping yarns grabbed our attention with their magic and have kept us enthralled ever since with constantly changing colourways.   The environment has guided us gently in a new direction and eco-friendly yarns emerged.  These yarns have made a huge impact and continue to develop.  With more than three hundred published designs each year, and over nine hundred shades of yarn in their current collection, Sirdar continues to lead us forward, keeping practical fashion and durability at the forefront. 

Ruffle It Up!

Its our January thaw, with milder temperatures and a feeling of lightness as Spring peeks around the corner nudging us forward.  Fashion is slowly changing gears, the heavy coats and sweaters are beginning to disappear from store racks, making room for softer, more feminine silhouettes.  Winter’s deep luxurious shades of purples, greens, and blues are keeping company with a fresh arrival of pastels in aqua, lilac, pink, and powdery blue.  The paler side is making a comeback!  The new styles are flattering to all types, slightly gathered, draped and flowing.  Details are in the edgings- flounced, scalloped, ruffled, and frilled, translated into a light and airy mood for the season ahead.   

Louisa Harding Belle

Louisa Harding shows a fondness for rich vibrant shades in a stunning two tone Mulberry Silk cardigan.  Her newest pattern book, Belle highlights the design elements she is well known for- delicate lace insets and scalloped borders.

Louisa Harding Belle

Ruffles trim each end of this captivating scarf, a pretty openwork design knit with pure and natural Mulberry Silk, available in a full spectrum of soft and and vivid colours.

Louisa Harding Belle

 A delicate scallop pattern makes this tunic ever so flattering with long flowing lines.  Knit in a shimmery shade of ocean blue Jasmine, a dk weight yarn in a combination of cotton, bamboo, and silk.  This is a fantasy yarn with the illusion of tiny beads throughout.

Debbie Bliss Amalfi

Debbie Bliss welcomes Spring in the palest shade of green.  Her latest pattern book, Amalfi, features this flounced edge cardi which will dress up any outfit, knit in a new and naturally textured blend of cotton, linen and silk.  
Debbie Bliss Amalfi

A gently gathered A-Line jacket in a simple seed stitch shows off the subtle texture of Amalfi, available in a full selection of pastels and neutral shades.  Wait until you glimpse the surprise, a lace panel cleverly set into the back of the jacket. 

 

Designer Chat With Jane Ellison

British designer, Jane Ellison speaks the universal language of knitters.  With a background in fashion and textile, her straightforward approach to knitwear design and talent for writing very sensible, concise patterns has garnered her work with leading yarn companies, Noro, Mirasol, Queensland Collection, and Araucania.  Today we sit down and chat with Jane as she nears the end of a very hectic work schedule, completing designs for seven brand new collections due out later this season.  She also offers us a sneak peek at some of her soon to be released designs.

Jane Ellison

MM:  Thanks Jane, for stopping by to chat today.  It must be difficult to catch your breath right now with all your deadlines.  Lets sit down, and have a cup of coffee or tea.
 
JE:  I drink coffee.  I used to drink tea, many cups of tea.  But now I drink  many, many cups of coffee!  I can’t do without my cup of coffee to wake me up in the morning.
 
MM:  Its evident in all your work, that you have a true love of knitting and design.  Is there a special someone who inspired you in your chosen career?
 
JE:  I do love knitting.  I was just thinking about this the other day.  At the moment  I have horrible deadlines, and am knitting 24/7.  Even through this I am doing something I love.  I don’t know if I was inspired by someone- my Grandmother was always unravelling old jumpers and re-knitting them.  It  was so exciting to  see what they would become.  My mother made all our clothes, beautiful smocks, lace cardigans, and my teddy bears and dolls were handmade with love.

The Little Book Of Nuna (new for Spring)

MM:  It must be many years since your very first sweater design, can you describe it?
 
JE: My first knitted item, was a striped scarf for Snoopy (I still have it), its a bit blurry on my first hand knitted sweater design.  I knitted loads but I can’t remember!  My very first machine knit sweater was a plain green crew neck pullover in stocking stitch with ribbing at the edges, which I wore and wore until it got a hole and unravelled.  We also did machine knitted garments at college in the first year, my design was a pale blue dress with fine metal wire worked through the yarn so that it could be pulled into interesting shapes.  The yarn was a fine viscose that looked like silk, which gave the dress a light and delicate look but the metal gave it strength that made the dress appear like it was floating around the wearer.
 
MM:  Your work with the Mirasol Project has been so well regarded, giving knitters everywhere an opportunity to participate in the building of a community.  Its a wonderful story of caring and sharing.  What has been your greatest reward from this experience? 
 
JE:  I love the Mirasol Project which was set up in 2006.  It embodies everything I believe in.  I was tremendously excited when I first heard about the project, even more excited when I was asked to become involved.  There are many, many people who make the project what it is.  I find it difficult to put it all into words, but I really hope this is just the beginning.  I’ve only visited the Mallkini Ranch (where the Mirasol Project is based) in Peru once, but I did learn a great deal, even though I cannot speak the language, being there gives me such a feeling of joy and peace.  I don’t know what my one greatest reward has been really, as I said its difficult to single one thing out.  I love working with the yarn, its so soft and beautiful, but also because I know its been made carefully and thoughtfully, every stage is created with the care of people, the environment and the animals in mind.

The Little Book Of Nuna (new for Spring)

MM:  I recently read on your blog, that you once worked in a knitting shop and enjoyed helping customers choose yarns and patterns for projects.  Do you think one day after many more books and designs, you might like to have a shop of your own?
 
JE:  Yes! I really enjoy chatting with knitters and sharing their experiences.  I also like helping people who say they would love to knit but they can’t.  Usually they can, and its great to see how proud they are of their first piece of garter stitch.  Right now, I can’t even plan a week ahead, all I can plan is how much work I have to do by the end of the day!!  Yes, I would love my own shop, I get excited thinking about the array of shades and qualities as well as lots of lovely accessories.

The Little Book Of Hap'i (new for Spring)

MM:  Knitting is really on an upswing here in Canada, what is the knitting scene like in UK at the moment?
 
JE:  For the past few months I have been designing, knitting, and writing patterns so I haven’t been out into the big wide world.  But when I do speak to non-knitters about what I do, they all seem to have a knitting story, one person told me it was a surprise to see a group of knitters in the local pub.  Even though there are not many knitting shops, it seems cafes, book shops, and pubs are all great venues for knitters who are organizing themselves and getting together.  I feel this is so exciting and hope it keeps growing.
 
MM:  When you are at home in Yorkshire, is there a favorite place where you sit and knit?
 
JE:  I don’t have a favorite place as such, generally I sit in front of the TV in my lounge watching dvds.
 
MM:  Knitters quite often say they knit for everyone else first, how many of your own creations would you say are in your closet?
 
JE:  Yes, I knit on sweaters everyday yet they don’t manage to get into my own closet.  I do have ‘Chambers’, a design from my first book- Simply Noro, and ‘Tumi’ from Mirasol Book 1, and ‘Ima Suti’ from Mirasol Book 3.  I also have a huge list of things I want to knit for myself from my collection of books.  My mom usually knits from each of my books either for herself or my Dad and my two year old niece has a sweater from each children’s book I have done.
 
MM:  Can you tell us ‘whats on your needles’ at the moment and any hints of whats to come  for Spring?
 
JE:  What is on my needles at the moment……well, I am finishing off almost all the garments for the next books I am doing.  For Mirasol, we are changing the format, instead of one big book, there will now be five little books, each one dedicated to one yarn.  At the moment, I am just putting together the Hap’i and Nuna books.  For the last two days I have been picking up around necklines, armhole edges, sewing on buttons and seaming up eight knitted garments.  There are still another twelve more awaiting my attention!  For Araucania, I am knitting with a beautiful silk, the texture of the yarn is incredible which means I have fun playing with the stitch techniques.  There is also a cashmere I am working with for a simple shawl pattern.  Its perfect for a beginner who may be a little afraid of lace knitting, but can see the basic principles with my design and still have a luxurious soft shawl floating around her shoulders.  This is all for the new Spring pattern books.  I work by myself so there is no one to help with the finishing touches.  I have the best knitters in the world, they have been great, so supportive with my tight deadlines.  Thats more than I can ask for. 

The Little Book Of Hap'i (new for Spring)

(images courtesy of Jane Ellison)

Cosy Up With Merino

As the rolls of wrapping paper and ribbon are neatly tucked away and the last of the Christmas decorations are taken down, its time to shake hands with 2010 and welcome in a new decade, bright and shiny with possibility.  Reflect, Take Stock, Daydream, and enjoy the quiet days of January.

Reflect- On your favorite knitting projects of 2009.  Did you learn a new technique, or challenge yourself with a difficult pattern?  Are there any unfinished projects hidden behind the couch or pushed to the back of a closet?  With the best of intentions, one or two knitting projects may have been forgotten.  If you have lost interest in a yarn or a pattern, why not pass it on to someone who will finish it for you.  Yarn shops often have an expert finisher on staff, to do the work for you, and make it look professional without charging an arm and a leg. 

Take Stock- Of your knitting needles, and spend some time organizing your assortment, especially those circulars which tend to tangle into a ball of nylon cords.  A great idea from a reader is a knitting needle inventory card- make a complete list of all circulars, double pointed and straight sets, print it on the computer to the size of a business card.  If you keep it handy in your purse, the next time you shop for a knitting project, you won’t be left wondering if you have that particular needle size at home.  Gather up any odd balls of yarn, decide which to keep and which to donate, a new knitter would really appreciate a bag of practice yarn and a kindergarten teacher might be in need of colourful yarns for little hands to create with.  Make room for fresh, exciting yarns in your collection…….in with the new, out with the old.

Daydream-  Sit back, put your feet up, unwind with a cup of tea, browse through your favorite knitting patterns, search the newest designs for Spring and see what catches your eye.  Contemplate the many choices, which ones will you will be working on this year?  Winter is here for another ten weeks, and that means lots of time for knitting.

Tea Toque and Mug Sleeves

Welcome the New Year with a touch of handknit charm, in a wintry shade of icy blue Merino, and warm up an afternoon in a comfortable chair with a cup of tea and a plate of freshly baked pastries.  Knit this simple mock cable stitch Tea Cosy for Two with matching Mug Sleeves in Diamond Luxury Fine Merino Superwash Aran 

Diamond Luxury Fine Merino Superwash Merino Aran

This luxurious type of wool comes from sheep which have been around for two thousand years, raised mainly in New Zealand and Australia.  With its extra long springy fibres, merino wool has no ‘itch factor’, and rates the highest in superior softness.  It is ultra absorbent, wicking away moisture from the skin, and insulating from both heat and cold very effectively.

TEA TOQUE

Size:  to fit a two cup teapot

Needles:  3.75 mm double pointed set

Yarn:  2 balls Diamond Luxury Fine Merino Superwash Aran col # 7376

Tension:  22 sts and 28 rows = 4 in/ 1o cm in Pattern St

Cast on 50 sts.  Work in Pattern St as follows with two needles only-

Row 1- *K2, P2*, rep *to*, end with, K2

Row 2- *P2, TW2 (K 2nd st at front first, then K 1st at front, slide both sts off needle)*, rep *to*, end with, P2

Row 3- as Row 1

Row 4- *P2, K2*, rep *to*, end with, P2

Rep these 4 rows for Pattern.  When work measures 5 in/ 13 cm and ending with Row 1-

Shape Top:

Next Row- *P2tog, TW2*, rep *to*, end with, P2tog = 37 sts

Next Row- *K1, P2*, rep *to*, end with, K1

Next Row- *P1, K2*, rep *to*, end with, P1

Next Row- *K1, P2*, rep *to*, end with, K1

Next Row- *P1, Tw2*, rep *to*, end with, P1

Next Row- *K1, P2*, rep *to*, end with, K1

Next Row- *P1, K2tog*, rep *to*, end with, P1 = 25 sts

Next Row- *K1, P1*, rep *to*, end with, K1

Next Row- *K2tog*, rep *to*, end with, K1 = 13 sts

Next Row- P

Next Row- *K2tog*, rep *to* = 7 sts.  Purl 1 row.  Cut yarn and leave rem sts on a holder.  Make a 2nd piece to match.

Continue across all 14 sts of both pieces, working in knit rounds with 4 needles as follows-

Next Round- K 

Next Round- *K2tog* = 7 sts.  Knit 8 rounds.  K 1 round, inc 3 sts evenly spaced = 10 sts.  K 4 rounds.  Cast off purlways.  Roll edge back to form rim.  Sew side seams leaving opening to fit handle and spout.

MUG SLEEVES: (make 2)

Cast on 50 sts.  Work in Pattern St, repeat Rows 1-4 (4 times) then repeat Rows 1-3 once more.  Cast off.  Make a button loop with a crochet hook, attach yarn 1 in/ 2.5 cm from top along side edge, chain 5, slip st to edge 1 in/ 2.5 cm from bottom, fasten and secure.  Sew a button to opposite side.

‘After The Holidays’ Inspiration

If you are searching for a bit of ‘after the holidays’ inspiration, look no further.  Just flip through the pages of Canadian Living Magazine.  In the December issue (page 223) you will find a free pattern for these  Fingerless Mitts, knit with one luxurious fifty gram skein of  Malabrigo Silky Merino in Velvet Grapes.  Can you think of anyone who might enjoy wearing these cosy mitts while talking on a cell phone or snapping outdoor pictures?  If you didn’t get around to knitting this project in time for Christmas, the pressure is off, its a little quieter now, so why not pull out those double pointed needles and whip up a pair for a birthday or a Valentines Day gift. 

Fingerless Mitts

In the February issue of Canadian Living Magazine (page 129) look for a free pattern for a Soft and Silky Scarf, knit in super easy Moss Stitch with Sirdar Snuggly Baby Bamboo.  The eco-friendly scarf takes only 4 balls in colour 142- Cherry Lips, a delicious hot pink that is sure to warm you up.   

For a cuddly snow baby, what could be cuter than a striped hat and scarf set trimmed with colourful pom poms.  New knitter- Sarah proudly shows off her knitting skills with baby Finn wearing his crayon inspired hat and scarf knit in Diamond Luxury Superfine Merino DK.

Sarah and Finn

Thanks for sharing Sarah!

Baby Scarf and Hat Set-

Size:  9-12 months

Yarn:  Diamond Luxury  Fine Merino Superwash DK 1 ball each in NAVY (#1660), SKY (#2439), LEAF (#2074), ORANGE (#2100), and SCARLET (#2060) 

Needles:  4.00 mm

Tension:  22 sts and 28 rows = 4 in/ 10 cm in st st

SCARF: 

Cast on 36 sts in NAVY.  Work in K2/P2 ribbing throughout, starting with 9 rows in NAVY.  Continue in ribbing following Stripe Sequence -

*6 rows in SKY, 6 rows in LEAF, 6 rows in ORANGE, 6 rows in SCARLET*, rep *to* until 36 in/ 91 cm.  Change to NAVY and work 9 rows in ribbing.  Cast off.  Make 2 in/ 5 cm pom poms (2 each in 3 different colours) to attach at opposite ends of Scarf.

HAT:

Cast on 90 sts in NAVY.  Work in K2/P2 ribbing throughout, starting with 9 rows in NAVY.  Continue in ribbing following Stripe Sequence as above.  When work measures 7 in/ 18 cm-

Shape Top:

Next Row (right side)- K2, *P2, K2tog*, rep *to*, end with, P2, K2

Next Row- P2, *K2, P1*, rep *to*, end with, K2, P2

Next Row- K2, *P2tog, K1*, rep *to*, end with, K1

Next Row- P2, *K1, P1*, rep *to*, end with, P1

Next Row- *K2tog*, rep *to* = 23 sts.  Cut yarn and thread through remaining sts, tighten and secure.  Sew side seam, reversing seam at top of NAVY border.  Make 2 in/ 5 cm pom poms (1 each in 3 different colours) to attach to top of hat.

The Emotional Side of Choosing Yarn

Every ball of yarn has individual charm, waiting to be discovered from inside a tightly wound centre.  Some yarns are quiet and reserved, spinning a web of mystery, while others are bold and vibrant, a kaleidoscope of colour, revealing a hidden painting one stitch at a time. 

As knitters, we are a ‘touchy feely’ bunch, choosing yarns generally by what handles nice and smoothly, as it slides across the needles.  We also make a selection based upon environmental factors, the changing seasons, and our emotions.  Knitters often question- is it the yarn or the pattern that I should choose first?  The pattern will always be the framework, the real spirit is in the yarn, it tugs at our emotional side, luring us straight into a state of heart- fluttering bliss.  A ball of brightly multicoloured yarn can lift our mood in an instance, renewing that get-up-and-go feeling by just knitting a few short rows, while a more conservative yarn, maybe a little less adventurous in colour, relaxes and comforts as gently as a cup of chamomile tea.

Poems Sock by Wisdom Yarns suits this festive time of year, bright and lively, it dances with colour.  With thirteen shades to choose from, Poems Sock is an artist’s paintbox waiting to be opened, offering a colourway to suit every mood.  One ball can make any of these eight wearable projects in the Poems Sock E-book which is available as a free download.  Take a tour of some of my favorite shades, Tropical Sunset, Cotton Candy, Spa Shades, Grape Arbour, Vista…….. and see if your mood is lifted today. 

col. 957

col. 959

col. 960

col. 961

col. 956